That line, from her viral single “Tuesday,” has been used in over 500,000 TikTok edits. But unlike many viral stars, Rosie resists the algorithm’s pull. Her live shows are famously silent—audiences recording nothing, just listening. Her recent cover of Joni Mitchell’s “Blue” at a Brooklyn loft show was described by one critic as “a surgical dissection of heartbreak so precise it should require a medical license.”
Her rise was accidental. A classical piano prodigy who rejected conservatory at 19, Rosie spent two years working graveyard shifts at a 24-hour diner in Portland, Oregon. She wrote songs on napkins about customers: the trucker who cried into his coffee, the newly single mother counting quarters.
Demi Hawks, meanwhile, is writing a short film and scoring a BBC drama about queer joy in the 1980s coal miners’ strikes. “Songs are too small a container for me now,” she says. “I want to build worlds.”
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That line, from her viral single “Tuesday,” has been used in over 500,000 TikTok edits. But unlike many viral stars, Rosie resists the algorithm’s pull. Her live shows are famously silent—audiences recording nothing, just listening. Her recent cover of Joni Mitchell’s “Blue” at a Brooklyn loft show was described by one critic as “a surgical dissection of heartbreak so precise it should require a medical license.”
Her rise was accidental. A classical piano prodigy who rejected conservatory at 19, Rosie spent two years working graveyard shifts at a 24-hour diner in Portland, Oregon. She wrote songs on napkins about customers: the trucker who cried into his coffee, the newly single mother counting quarters.
Demi Hawks, meanwhile, is writing a short film and scoring a BBC drama about queer joy in the 1980s coal miners’ strikes. “Songs are too small a container for me now,” she says. “I want to build worlds.”
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