Monologue | Lungs Duncan Macmillan

M genuinely believes he’s ethical. He recycles. He worries about carbon footprints. But he’s also selfish, terrified, and paralyzed by first-world problems. The monologue works when you let both truths exist at once:

Lungs works because M is us—educated, anxious, loving, and frozen. The monologue isn’t about winning an argument. It’s about a man realizing that knowing better doesn’t mean doing better. If you can hold that contradiction in your voice and body, you’ll break an audience’s heart. lungs duncan macmillan monologue

If you’ve been assigned the male monologue from Duncan Macmillan’s Lungs , you already know it’s deceptively simple. Two characters (W and M), no set, no props, just two people in a bare space navigating a high-stakes conversation about having a child. But the monologue often referred to as the “I’m not a bad person” speech (M’s breakdown in the middle of the play) is a beast of anxiety, love, and eco-guilt. M genuinely believes he’s ethical