Malayalam cinema, affectionately known as Mollywood, continues its golden run. Coming off a historic 2024 and 2025 that saw global recognition for films like Aavesham , Manjummel Boys , and Bramayugam , the first half of 2026 has proven that the industry's focus on unique scripts, technical brilliance, and powerhouse performances is no fluke. From high-octane action thrillers to deeply rooted family dramas and experimental horror, here is an exhaustive look at the latest releases that have been dominating box offices and streaming platforms. The Theatrical Blockbusters (April – June 2026) The summer of 2026 brought a clash of titans and the rise of new-gen storytellers.
This is the talk of the town. Directed by the maverick filmmaker Lijo Jose Pellissery, this film marks the return of Mohanlal in a full-fledged, mass-action avatar after a brief hiatus. Contrary to its title suggesting a remake, Jai Vakeel Saab is an original courtroom-action hybrid. Set against the backdrop of the gold smuggling scandals of the 1990s, Mohanlal plays a disgraced lawyer turned vigilante. Early reviews praise the film’s surreal visual grammar, a trademark of Pellissery, combined with a thunderous background score by Prashant Pillai. While critics are divided on the second half’s abrupt shift into magical realism, the film has already crossed the ₹100 crore mark globally within its first week. malayalam cinema latest releases
Furthermore, the relationship between OTT and theatres has stabilized. Theatres now hold films for a shorter 3-4 week window before they hit streaming, which has actually boosted footfall, as audiences want to avoid spoilers on social media. The Theatrical Blockbusters (April – June 2026) The
Following the blockbuster success of the original anthology, Sthree 2 brings together three new female directors to tell intersecting stories of women in a Kerala fishing hamlet during a cyclone. Featuring Parvathy Thiruvothu, Anna Ben, and Grace Antony, this sequel ditches the horror element for psychological dread. It is a slow exploration of superstition and patriarchy. While some fans of the first part wanted more scares, critics have lauded it for its atmospheric cinematography (by Anend C. Chandran) and the haunting finale. Contrary to its title suggesting a remake, Jai