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Plaster reinterprets the materiality of hand-worked plaster, transforming it into a design that blends craftsmanship and innovation.
Formats
160x320 cm (63”x127”)
162x324 cm (63¾”x 127½”)
Here’s a short, atmospheric piece inspired by the eerie, liminal, and strangely nostalgic vibe of (interpreting it as a misspelling or stylized take on old home movies — faded, glitchy, half-remembered VHS tapes from a childhood that may never have existed). The Ogomovoies Tapes They found the first cassette in a thrift store bin, nestled between a broken stapler and a Learn Spanish in 3 Months book from 1987. No label. Just a faint, hand-scrawled word in faded marker: OGOMOVOIES .
This time, the clown was closer to the camera. This time, one of the children waved — not at the party, but at them . Through the screen. And their mouth moved, silently forming a word over and over: Ogomo. Ogomo. Ogomo. By the third viewing, the front door of their apartment clicked open. No one was there. But the lights in the hallway flickered in 24 frames per second — the exact shutter speed of an old camcorder. ogomovoies
The tape hissed when they slid it into the player. Static bloomed like gray snow. Here’s a short, atmospheric piece inspired by the
The children were smiling — frozen, wide-mouthed smiles that stretched too long. The candles on the cake flickered downward , wax dripping up toward the ceiling. A clown in the corner didn’t move for the first forty seconds, then turned its head 180 degrees without its body following. Just a faint, hand-scrawled word in faded marker: OGOMOVOIES
The timestamp read: . But the furniture was from the 70s. The TV in the background showed a news anchor reporting on a war that hasn’t started yet.
Here’s a short, atmospheric piece inspired by the eerie, liminal, and strangely nostalgic vibe of (interpreting it as a misspelling or stylized take on old home movies — faded, glitchy, half-remembered VHS tapes from a childhood that may never have existed). The Ogomovoies Tapes They found the first cassette in a thrift store bin, nestled between a broken stapler and a Learn Spanish in 3 Months book from 1987. No label. Just a faint, hand-scrawled word in faded marker: OGOMOVOIES .
This time, the clown was closer to the camera. This time, one of the children waved — not at the party, but at them . Through the screen. And their mouth moved, silently forming a word over and over: Ogomo. Ogomo. Ogomo. By the third viewing, the front door of their apartment clicked open. No one was there. But the lights in the hallway flickered in 24 frames per second — the exact shutter speed of an old camcorder.
The tape hissed when they slid it into the player. Static bloomed like gray snow.
The children were smiling — frozen, wide-mouthed smiles that stretched too long. The candles on the cake flickered downward , wax dripping up toward the ceiling. A clown in the corner didn’t move for the first forty seconds, then turned its head 180 degrees without its body following.
The timestamp read: . But the furniture was from the 70s. The TV in the background showed a news anchor reporting on a war that hasn’t started yet.